I am angry at man. Not man in the sense of humanity, which the word often gets stretched to cover, but instead, the XY chromosome possessing norks who I share my genitalia with.

The fuel for my fire is the male opinions featured on the TV show, Fuck Off, I’m a Hairy woman, which I had the joy of watching on Really, one of those stations that lurks beyond channel X at the very fringe of your Freeview box’s knowledge.

Within this show, comedian Shazia Mirza is growing her hair long and proud across her body for six months and starting one of those fucking inane journeys of discover to prove some point or another. This time she is trying to get women to become proud of their body hair, and aside from ingrained cultural bollocks where women are not allowed to be hairy in case they catch alight in the midday sun or whatever, there’s also men to contend with.

Push comes to shove; Shazia is trying to arrange some big media furore around a fashion show where real women, and hairy women at that, will model a selection of lingerie that she has designed with a modern artist who works with human body hair. The display is crass and over the top, whilst in reality all she need do was have real and hairy women parading ordinary underwear; but she needed to make her TV show entertaining.

She goes to Loaded, a magazine that fall into the middle range “men’s interest” category at W. H. Smiths that makes me gag a bit. Come, buy a copy of nuts, it says to me, see some nipples and a gun made from human skin, we’re all mates here, we’ve all had a few drinks, have a fosters, pound your meat and titter over a man saying the word fart eighteen times in his opinion column. Guffaw as Danny Dyer insights you to commit hate crimes against your Ex. There a bunch of pudding headed sausage holders tell her that women with body hair are disgusting. Women with body hair are unnatural. That the very limit of their gag reflex is the tiny hairs that grow on Abi Titmus’ arms. If she was bald as a coot and had the vagina of a 6 year old, they’d be salivating like cartoon dogs. An unsightly hair growing anywhere on her air brushed and photo-shop ready body and they’ll be vomiting over one another like flies at a land fill.

I hated these two guys, and laughed merrily as Mirza used an epilator to wrench the living hairs from their skin to demonstrate the pain women go through to keep themselves follicle free. If women should have to punish themselves for your sexual benefit why can’t you do them a favour and read a fucking book. But thee twats were not alone. No sir, when INSERTNAME goes in Radio 5 live to talk about her show, the godless heathens who called in called her an idiot. A Fool, labelled her some kind of degenerate that doesn’t give a shit about herself because she wants to grow her body hair. If you grow your body hair you obviously are some unhygienic, slobby tart who just lets toe-jam and body-cheese build up a viscous layer on their flesh. Gag. Retch. Spit.

This of course couldn’t be further from the truth, body hair means nothing at all. I have known many women who proudly grow their hair long and are these women are some of the sexiest I have ever known. I had a life model who hadn’t shaved her arm pits for three years and not only was she beautiful but she was far more interesting to look at and to try and draw, because she had far more character, shade and definition on her body than the smooth models we’d had before. And as an aside she was a confident woman, and confidence is inherently attractive to the opposite sex.

Of course, the ultimate hypocrisy lies with the complaining men by the way, as they grow their pubic bush like a comedy 70s afro and expect women to go down on them. I once had a conversation with a good friend of mine who refused to go down on her boyfriend unless he trimmed his genital hair, for she was fed up of the follicles going up her nose and making her sneeze. I regularly have my back waxed. Please sirs and madams, try to keep your dinner down at the thought, but I do it for my own confidence.

What I am trying to say is, we need to accept we all have body hair. Everyone. If you don’t, you are not a mammal; and probably one of the lizard alien overlords David Ike has been warning us about. I am so sorry you had to find out this way. Once we get over this fact, we can all move onto the next issues that what we do with our own body hair, is our own fucking business. If someone grows their under arm hair, lets their happy trail spread to their nipples, grows their leg hair, it does not diminish them as a person. It does not remove their humanity, and it does not require some soft lipped gel haired ninny in Reeboks calling them disgusting. Magazines like Loaded, Nuts, Zoo and Front just sell fake body image which helps no one. Men get sad because they’ll never have sex with the digitally honed prom queen, and women get sad because they cannot be her, because she doesn’t even exist. The woman in the photograph is not representational of the woman posing for the photograph.

Peoples preconcived views on beauty are based on myth. Classical beauty, whether sculpture or painting stemmed from gods and Goddesses; hairless chiselled tableaux. Now we’ve moved onto the next weapon of choice, the photo-montage, to express this. We now worship Goddesses of fake tan and liposuction instead of Grecian heroines. Its sick iconoclasm. Whether you have a gut, or a limp, or a lazy eye, you are still beautiful, and you do not need a man who pays a woman to wax his back to tell you that.

So I am a human being, as if you hadn’t noticed what with all the bodily functions, eating and breathing I do, and if theres one thing a human being likes to do and this is understand things. Ever since we were apes bashing each other in with rocks and poking at the cold funny sapien meat we rip from each others scalps, we have always endevoured to understand the process and stopped eating each other when we realised that it was emotionally troubling and a subways was open around the corner.

An Eraserhead, the first film by alcclaimed director David Lynch splits me right down the middle, in an almost cripplingly scitzophrenic manner as the lack of understanding you have of the goings on of the film is comparable to Abi Timuss’ amount of dignity, and the amount of hull integrity commonly held by an Easy Jet Boeing 747 minus parcel tape.

Person one looks at the film, an intriguing black comedy about Nervous Henry living in a strange industrial landscape in an apartment filled with grass who puts coins in buckets of water, and his forray into the strange universe of marital bliss when it is revealed his squeeze has popped out a hideous mutant cow-baby, like a fine painting. It isn’t a straight forward film where the action directly represents what is going on. It is a subtle layering of metaphors and imagary that explores the mind of a man bathed in seclusion, isolated from the world around him and unable to connect with the few people he actually meets. Small dream sequences like the chipmunked cheeked dancing girl who smashed alien worms to death with her cute shoes and sings weird songs about how Heaven is a lovely place to go on holiday, and another where Henrys head pops off and is used to create rubbers on the end of pencils, reveal the fragility of the mans mind, and also can bequite humerous.

Which is all well and good, until person two fumbles into the picture and shouts at the screen like a comical drunk irish charater from a 1980s american pop-comedy film trying to hail a cab, and wails waving a bottle of Jim Bean in his hand that the layering of imagery is so deep and so frequent, that the view is disorientated and he frequently does not know what to take seriosuly and what to laugh at. Course he probably would not say that, he’d probably phrase it as “wwwurrghawurghlw-gurgle” and fall over.

Akward silences cannot be distinguished from moments of domestic humour or instances of tension building spacing. Is that dancing chicken a metaphor or is it something put there to make me giggle. AND yes there is a dancing chicken, I just can’t make this sort of thing up.

To break this review down into a quotable but unsatisfying short paragraph, I’m left at the end, wondering if it was a fantastic piece of artist cinema, which yes, does exist, or if its an attempt on behalf of the director to seem intelligent by laughing at all the people who don’t get it.

Plus the final scene where the Baby dies, oh please, I could not ruin it for you because it is suggested all the way through, wins an acadamy award for best use of porridge as a substitute to bodily fluids and has forever put me off Ready-brek.

I did some reviews a few years ago somewhere else, and I am now allowed to put them up here.

Laying into Indiana Jones and the kingdom of the crystal skull is kind of like kicking a homeless hunchback ex-celebrity. Its quite clearly crappy, nobody ever expected it to be any god, and however much it hangs around outside schools and ruins peoples childhoods by feeding them pieces of broken bottle through the fence at playtime (Figurativley speaking of course), you can never really feel angry at it because you are aware that it once was a great and mighty institution and filled your life with glee.

But unfortunatly for Indie and the homeless drop-out everyone is kicking it even as it lies on the street spitting out teeth, mob psychology has just kicked in and I want a piece too.

When it began I was filled with excitment. I wanted to see it happen again. I felt like a young ‘un again. Indie is dragged out of the back of a car by some nasty Nazi’s, sorry, russians, and we are introduced to a new character played by Mr I’m-actually-a-really-bad-guy himself Ray Winstone. A few kick abouts with the Nazi’s (russians) and a funny little bit about Area 51 and the roswell alien, and I’m sat in my seat thinking this is quite good. A nice aside, but I won’t make a whole film about it.

Fatal words. As they did infact make the whole plot about an alien and an ancient race of people who worship aliens. There is actually very little plot, seeing as how the Jones Liniage has had some mindbenders to understand, what with the Arc of the Covenant in relation to the Nazi Regime, A quest for the holy grail and the one in the middle that no one can really remember except for the kids in the mines and the heart pulling out bit.

So, ok, a shoddy plot, thats alright, if we have some madcap but believable adventures. Some silly mixed with some realism. Like the big fire ball in the tomb beneath venice and hiding in the coffin to escape the firey burny death. Why is there a big fire ball? well, who cares as long as he escapes it in a scientific manner.

Lucas seemed to go a bit crazy when formulating a follow up to this. Instead of a unexplainable explosion and a reasonable escape, be created a totally plausable explosion and a ridiculous escape from it. I know, to get away from this nuke, I’ll hide in this Lead Lined fridge.

I’m sorry, but a bomb that burned peoples shadows to walls, and in the film itself reduces a Nazi (russian) jeep to a pile of liquidy metal chunks can’t breach the Acme all purpose lead lined fridge. Well the lead lining in theory would protect you from all that nasty radiation, but at the same time, not all the firey, burny super-ultra-hot nuclear DEATH FIRE!

The fridge would have been superheated, the shock wave that bounced the fridge about a half mile through the desert would have broken every bone in his body and when he opened the frigdge, being that cllose to a mushroom cloud would have seered the skin from his body. Not to mention the nuclear gases rapidly replacing the atmosphere he is breathing.

Actually it would have made a thoroughly better film if the door opened and a skeleton with a hat slumped out face down into the sand and a slowed down version of the theme tune dirged on as the credits rolled and we sat there watching seven foot long cockroaches suck the eyeballs from his skull.

It would have saved us from Ray Trust-me-I’m-a-nice-dude Winstone’s “I’m evil, actually no i’m not” act, which gets old the third time round where Indie still gives him a gun and expects his to cover him without popping a few shells in his back.

In the end, all that happened was that George Lucas, who looks and sounds increasingly like Dame Edna Everidge, decided to ruin another aspect of my childhood and squeeze some money out of Indiana Jones. I watched scenes from the last three films made slightly different by replacing an evil nazi with an evil nazi (Russian) or scorpions with ants or an evil gestapo with a psychic or the plot with a great big serving of shit and bollocks.

Tattington Kelptau-Monford awoke in a darkened room. It was the kind of cloying, impenetrable dark that gets into your throat and makes you choke. His eyes would never adjust.

His hands were bound, his feet tied up and he was sat upright in some kind of plastic tub. As he blinked back the thick stinging black, he could make out the big plastic tub was a scratched white colour, and slightly damp so he couldn’t get a grip with his shoes to ease himself out. He didn’t scream, instead he simply said:

“Hello” There was a click, and a small, circular orange light popped into existence. It illuminated nothing; it just hung there like an eye, millimeters from the floor. There was a second click and another eye blinked out of nothing.

“Hello Tattington,” the voice resonated from around the room, and as soon as Tattington could focus on the source there was just a click and an orange light. “How are you feeling today?” It said and again the voice seem to come from everywhere and as soon as he could move his head to focus on it there was just a click and an orange hue.

“Where am I? What are you doing to me?” He struggled against the bonds but tried to keep his voice casual. It was important to not antagonise his captor. He could talk him out of it, make sure he had a way out. Even though he was a small time crook, Tattington knew enough to get out of tough situations.

“You’ve pissed a lot of people off Tattler.” there was a click. “Should’ve kept your hands out of the till.” Click.

“What are you talking about?” he couldn’t help but let his voice break as his vocal chords grated in panic. The tie-wraps around his wrists were offering resistance and the tingle of ripped skin sent shivers up his arms. Click.

“You took things from the wrong people. We pay you to distribute a product, and instead you keep it for yourself,” alongside the click was a mounting roar. Softly at first a slow rumble that seemed to be bubbling up to something. The orange light was getting to be a solid source of light and Tattington could see patent leather shoes walking around a stark concrete floor covered in a nest of wires. “We paid you to give drugs to the good people of this town, and instead, you stock piled it, selling it without giving us our cut.” The bubbling rose, the air grew hot and clammy.

“I didn’t steal those drugs. The coke was stolen from me. Jesus man, it was the Russians!” The man laughed, he was one of Spike Gilletto’s goons, and Tattington knew this couldn’t end well. There was a definite temperature change now. Mist was moving in the orange light between short white cylinders with small eyes, and the rumble rose to a new level. A word came into his head.

“Are those kettles?”

“We were expecting you to come clean, but you didn’t,” The man slammed his hands onto the edge of the white tub, and reached down between Tattington’s feet dropping a small rubber circle into a hole, then a second word popped into his head. “So its Bath time Tattington.”

“Oh fuck, no! I didn’t take the coke man, don’t do this to me,” The man disappeared from view and reappeared with one of the rumbling kettles in hand. He stood over him, read to pour.

“Start telling the truth, or its going to get mighty uncomfortable,” A door slammed and sterile white light flooded into the room, and Tattington and the goons eyes were dazzled by it. The sound of retinas searing was almost audible over the continuing rumble of boiling kettles. The only disruption in the cascade of light was a thin lank shadow framed in the doorway.

He stood there for a few stunned seconds before drawing a long gurgling hack as he expectorated his throat, and spat a fat wodge of evil smelling mucus into the room. The two men stood in total disbelief at their interruption, and remained silent as the strange hide cowboy boots the figure wore cut into the room with a wooden clop.

He surveyed the scene, nudging one of the kettles with his boots, and peering at the man in the bath tub with the scrutiny of a health inspector in a fast food drive through. He wiped the bare jut of finger protruding from a filthy woollen fingerless glove across the bottom of the bath tub and held it in front of the goons and his own face and tutted quietly.

“Who the fuck are…” with a warm hush he pressed the raised finger to the goons mouth. He looked into his eyes with his own, sunken into pits, practically ringed by dark tissue and barely visible underneath a lank fringe of hair.

“Don’t talk, please. If you ask that question I’ll have to do an introduction, and we both know that will spoil things. So, let me just give you some constructive criticisms…”

“Who the fuck are you?” Shouted Tattington, still tied up in the bath with the pair staring at him from their perch at the bottom of the tub. Finger still gingerly placed upon the goons lips, still silenced by the stubby digit, dumbfounded and wide eyed starring at the bound man, the strange figure sighed dramatically. He produced a damp cigarette from his inside pocket, and lit it with a strange lighter made of hammered copper in the crude shape of a phallus. Slapping it into his mouth he stood up and pointed dramatically in no particular direction.

“I’m Caspian Riot: The Hallucinogenic detective, and you my little degenerate are about to suffer my 12 inch length of the law!” He smiled, or at least it was a tangled mockery of a smile, like a rotten wound gaping open and revealing the gnarled wooden pegs that he called teeth.

“You’ve got nothing against me,” shouted the goon, “I have got a clean rap.”

“Not you, you over eager pervert!” He pointed at Tattington.

“Me?” Gasped Tattington.

“No, not you either, in the name of the Babylonian Whore do you people have no concept of theatrical suspense. Here,” he handed the goon a huge stack of papers from his inside pocket and sighed again, looking at the floor, his greasy hair hanging like a filthy curtain about his face.

“It’s a guy?” said the goon, trying to comprehend the paper work.

“That is not just a guy my friend, that is the man who stole the cocaine from your man here in the bath-tub. He was telling the truth. Some Russian broke into his house and took the stuff.” There was a smug noise from the bath.

“See jackass!”

“Oh well, is my face red?” Riot slapped him on the back.

“Yes, yes it is. Now go break his legs or something. Peel his skin off or whatever it is you do. Go, vanish,” The goon made with a small knife to un-cut Tattington’s fetters but Riot stopped him. “Nope, you’ve done enough damaged here, go on, be gone.” Smiling the goon left, gripping the notes like a Valentine’s Day card.

Practically throwing himself across the room Caspian came to rest looking straight at Tattington in the bath-tub. He was grinning broadly, and he was so close to Tattington that he could see every detail of his face. His thin leathery lips like short chapped tubes clung to oily speckled skin, peppered with brown stubble. His teeth were a vile grey flecked with yellow and he expelled a stench of cinnamon and rust. He just sat there smiling that jigsaw puzzle smile that seemed horrifically out of place.

“What?” snapped Tattington.

“Tattler, Tattler, Tattler! Great set up you’ve got here,” he said waving a hand in a grand gesture towards the kettles sprawled over the floor.

“Yeah, it must have taken a lot of time,”

“I know, doesn’t it make you feel special that someone went to all this effort to get some information out of you!” he started to chuckle and it sounded like a deep rattle: a broken Childs toy with a shattered voice box, shards of glass in a blender, a mirror breaking in the dark.

“Yeah, its pretty… neat,” Tattington tried to laugh to, but it didn’t work.

“Seems a shame not to waste it,” the laughing stopped.

“What?”

“Well, you may not have stolen the cocaine, but I know you have a dirty little habit,” There was a stunted silence as he got up and closed the door returning the room to complete darkness.

“What are you doing?” He squealed, desperately, resisting the wraps around his wrists and kicking his legs angrily.

“See, if a detective really wants to make some money he doesn’t just take on one case,” there was a click as the cowboy heal flicked a switch on one of the kettles. The orange eye blinked on. “So when I hear you are going to be in a bath, hounded by some slack-jawed thug, I thought I’d come along.” Click. “Because you have a nasty little habit.”

“I didn’t do it!” He screamed.

“Oh but you did, you did it again and again, and people are getting sick of you doing it!”

“Please, I’ve done nothing!” he thrashed about; trying to tip the bath but it was firmly attached to the floor. Clicks were coming left, right and centre accompanied by the slow building roar of boiling water. The kettle clicked off, there was silence, just the hum of steam leaving the spouts. Tattington looked around. There was no sound. Not even the slightest hint of something moving in that impenetrable darkness. He turned slowly, from right to left, straining to see anything in the nothingness that surrounded him.

There, right next to him, stock still was the smiling shape of Caspian Riot, holding a white kettle filled with boiling water.

“Let’s make sure you learn never to go to the bathroom without washing your hands.”

That’s when Tattington Kelptau-Monford started to scream.

Off to the Lounge On The Farm music festival over the weekend. Hexstatic are just one of the wonderful people I hope to rock out to.

I wrote a dialogue called Listenin’ To The Birds. This is a large section from it.

Lewis: Your right. I mean all we do is post our spare thoughts digitally, and listen to the brain leaks of other people we have deemed to be superior.

Paul: We listen to the voices we admire.

Lewis: (Dejected) Damn right.

Paul: I wish I could be one of those people.

Lewis: What?

Paul: I said I wish I could be one of those people. You know, who decide what is cool, what is rubbish, where to go, and how to be dressed when you go there.

Lewis: I think you’re making more sense than your allowed to…

Paul: What do you mean?

Lewis: Basically, what you’re saying is, why we become the gods of the internet. Why don’t we put on our gloves and step into the ring.

Paul: What are you talking about?

Lewis: Well, we could become the sort of people who tell other people what to do. With a little planning, a little brain energy we could basically become fountains of cultural importance.

Paul: You mean tell people where to go?

Lewis: And what to have for the fish course when they get there.

Paul: That’s genius.

Lewis: and its achievable, that’s what separates us from the other genius’ that might have actually come up with a product. All we need is our own brain power and the initiative.

Paul: Right, ok… but how we going to do this?

Lewis: What are you talking about?

Paul: Well, I’m sure there must be hundreds of people who started websites and twitters and stuff, all with the intention of telling other people what to do. If they didn’t achieve, how are we expect to?

Lewis: That’s a point… (pause while he things) how many people follow your baseless musings?

Paul: I don’t know… (checking and sounding disappointed) about fifty thousand.

Lewis: FIFTY THOUSAND!

Paul: Yeah well, I did one of those follower exchange programmes, you listen to someone, they listen to you. My messages have fifty thousand people listening to them, as long as I listen to theirs.

Lewis: So if we get these listeners, these tweeters, these chirping birds on our side…

Paul: We have the power of cultural gods.

Lewis: Well tell them to go somewhere…

Paul: What?

Lewis: Tell them to go somewhere. Command your legion to raid some club or bar, and I’ll relay it back to my crew on my site. A couple of thousand people listen to what I have to say, and if we bounce our digitized ideas off one another, we have a proper cult following. I mean, hell, we have people paying attention to us, and attention is all you need. John Lennon said so.

Paul: Love…

Lewis: huh?

Paul: Love. Love is all you need.

Lewis: Yeah well, Ringo narrated Thomas the Tank engine, just write something.

Paul: Right, well, I’m putting down “Guys there is a hot party down at…

Lewis: Yeah?

Paul: at…

Lewis: Yeah?

Paul: at… I don’t know.

Lewis: For Gods sake Paul. Alright, what’s that place we like over in town?

Paul: Oh that place that does the great chips… erm… The Dog and Hermit Crab.

Lewis: That’s the one, tell them it’s the place to be…

Paul: Wonderful, “Guys there is a hot party down the Dog and Hermit Crab, you‘ve have to be square not to be there.”

Lewis: Great… a little 1950’s but… great. Now, I post it on my site and…

(A pause as both look in shock and awe at their screens. They look at each other in disbelief)

Both: (together and unison): Crikey!

Lewis: I’ve got over a hundred people agreeing with me! I didn’t even know there was a party at the pub!

Paul: I’ve been retweet so many times! This is amazing, so many people have told me they’d see me there this is unbelievable!

Lewis: More people have said they like this that Christmas…or…. Or… CHOCOLATE!

Paul: I just got mentioned by Stephen Fry, that’s like getting a pat on the back by God!

Lewis: My followers have gone up by so many, my phone crashes whenever it thinks about it!

Paul: This is great! With the people who listen to you, and the people who listen to me listening to them, I am the most powerful person on Twitter!

(The two hug in an over passionate fashion)

Lewis: I have more followers than molecules!

Paul: Anything we tell people to do they will do!

(They release one another and look at each other)

Both: We’re celebrities!

Lewis: We are bastions of international fame! We are kings of the tubes! Sir, we are lords of all we see.

Paul: (looking at phone) People are actually asking us where to go!

Lewis: Tell them, tell the crowds that we decide that the promised land is…. Erm….

Paul: The Dog and Hermit Crab?

Lewis: (proudly) The Dog and Hermit Crab.

My name is Nicholas Shearon and I am a writer and artist.

I write comic books, such as Tales Of Neovicaria which I am working on with my writing partner Sam Parker, Punk Rock Apocalypse which I also draw, and several other projects I am writing with talented artists. I am always in need of artists. If you wish to work with me please email me directly at nshearon@googlemail.com

I write ficiton. Short stories can be found here whenever I have the time to upload them. I am working on a novel which will be released as short audio bursts on the internet in the near future. The first section can be found here.

I write plays, such as Listenin’ To The Birds, a satirical dialogue focusing on the modern reliance on social networking to tell us how to live our lives, and Euphanoria, an adaptation of an old folk tale into a modern dystopian tale written as romantic poetry. If you want to stage a performance of any of my plays please contact my wonderful agent Lorraine Iwa Kashdan.

I am currently working on turning Euphanoria into a film about a fictional underworld that lies beneath the streets of canterbury. I am also rewriting the script for Consequences, a thriller about medical students covering up a murder they didn’t commit. It was set to start filming in early May, but I felt it wasn’t ready.

I have a twitter. That gets more updates than here because I am mostly busy these days writing. I also contribute to a video game review tumblr.

Thats it mostly.

I kissed her.

“That was rather forceful,” she said, and I replied “Not really, I’m just rather drunk and have no depth perception.”

There’s a problem with being in two places at once: it’s impossible. Mark spent a long time, working through the maths to prove that he, was in fact not sat at the desk, but stood by the office door.

Science is not one to let of the immutable laws get bend or broken, so surely it’d oblige him and copy him. That was the intended outcome, Mark had always wanted someone to collaborate with who was 100% on his wavelength. He was the best candidate.

He finished and put the final calculation in place and then exploded.

Science always corrects its mistakes.

Basically what I’ve been listening to whilst writing and playiung Red Dead Redemption this week.

Read the Whit MacFarlane post whilst watching this.

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